托福阅读理解练习题
考生在备考托福考试的时候，一定要注意对阅读理解的练习，下面是小编送给大家的一篇托福阅读理解练习题，供大家练习。
The Arts and Crafts Movement in the United States was responsible for sweeping changes in attitudes toward the decorative arts, then considered the minor or household arts. Its focus on decorative arts helped to induce United States museums and private collectors to begin collecting furniture, glass, ceramics, metalwork, and textiles in the late nineteenth and early twentieth centuries. The fact that artisans, who were looked on as mechanics or skilled workers in the eighteenth century, are frequently considered artists today is directly attributable to the Arts and Crafts Movement of the nineteenth century. The importance now placed on attractive and harmonious home decoration can also be traced to this period, when Victorian interior arrangements were revised to admit greater light and more freely flowing spaces.
The Arts and Crafts Movement reacted against mechanized processes that threatened handcrafts and resulted in cheapened, monotonous merchandise. Founded in the late nineteenth century by British social critics John Ruskin and William Morris, the movement revered craft as a form of art. In a rapidly industrializing society, most Victorians agreed that art was an essential moral ingredient in the home environment, and in many middle- and working-class homes craft was the only form of art, Ruskin and his followers criticized not only the degradation of artisans reduced to machine operators, but also the impending loss of daily contact with handcrafted objects, fashioned with pride, integrity, and attention to beauty.
In the United States as well as in Great Britain, reformers extolled the virtues of handcrafted objects: simple, straightforward design; solid materials of good quality; and sound, enduring construction techniques. These criteria were interpreted in a variety of styles, ranging from rational and geometric to romantic or naturalistic. Whether abstract, stylized, or realistically treated, the consistent theme in virtually all Arts and Crafts design is nature.
The Arts and Crafts Movement was much more than a particular style; it was a philosophy of domestic life. Proponents believed that if simple design, high-quality materials, and honest construction were realized in the home and its appointments, then the occupants would enjoy moral and therapeutic effects. For both artisan and consumer, the Arts and Crafts doctrine was seen as a magical force against the undesirable effects of industrialization. 1. The passage primarily focuses on nineteenth-century arts and crafts in terms of which of the following?
(A) Their naturalistic themes
(B) Their importance in museum collections
(C) Their British origin
(D) Their role in an industrialized society
2. According to the passage , before the nineteenth century, artisans were thought to be
(A) defenders of moral standards
(B) creators of cheap merchandise
(C) skilled workers
(D) artists
3. It can be inferred from the passage that the Arts and Crafts Movement would have considered all of the following to be artists EXCEPT
(A) creators of textile designs
(B) people who produce handmade glass objects
(C) operators of machines that automatically cut legs for furniture
(D) metalworkers who create unique pieces of jewelry
4. The word "revered" in line 14 is closest in meaning to
(A) respected
(B) described
(C) avoided
(D) created
5. According to paragraph 2, the handcrafted objects in the homes of middle- and working-class families usually were
(A) made by members of the family
(B) the least expensive objects in their homes
(C) regarded as being morally uplifting
(D) thought to symbolize progress
6. The word "extolled" in line 20 is closest in meaning to
(A) exposed
(B) praised
(C) believed
(D) accepted
7. The author mentions all of the following as attributes of handcrafted objects EXCEPT
(A) the pride with which they were crafted
(B) the complexity of their design
(C) the long time that they lasted
(D) the quality of their materials
8. The word "consistent" in line 24 is closest in meaning to
(A) conservative
(B) considerable
(C) constant
(D) concrete
9. According to the passage , which of the following changes occurred at the same time as the Arts and Crafts Movement?
(A) The creation of brighter and more airy spaces inside homes
(B) The rejection of art that depicted nature in a realistic manner
(C) A decline of interest in art museum collections
(D) An increase in the buying of imported art objects
10. Which of the following statements is supported by the passage ?
(A) Private collectors in the nineteenth century concentrated on acquiring paintings.
(B) The Arts and Crafts Movement in the United States, unlike the one in Britain, did not react strongly against mechanized processes.
(C) Handcrafted objects in the United States and Britain in the nineteenth century did not use geometric designs.
(D) The Arts and Crafts Movement believed in the beneficial effect for people from being surrounded by beautiful objects.
参考答案：DCCAC BBCAD
附：托福阅读技巧之做题的误区
考生做旧托福考试(TOEFL)阅读或者平时的阅读练习时，时常表现出一些不良的做题习惯。有些考生读文章时喜欢在试题上划线，似乎不做记号，阅读就无法进行，思维就停止活动。不过在新托福网络考试中，考生面对电脑就做不了任何标志记号。
有些考生文章根本不读完，直接做题。这种方法相当于瞎子摸象，对文章只有局部的感觉，整个文章的概念无法获得。要提醒考生的是，近年考试中针对整个文章提问的题量有所增加。所以，这种不看文章直接做题的方法是极其危险的。
有些考生则喜欢把文章一字不漏地细读之后再做题。这种方法仅适合于两种情况，其一，考生已具备相当的阅读水平，长期以来运用这种方法效果甚佳;其二，某一篇具体的文章是考生所熟悉的内容，细读文章并不会花太多的时间。一般来说，大部分考生采用细读文章方法，做题时间严重不足。考生不应该忘记，阅读理解测试速度和理解两个方面。
在做词汇题时，许多考生认为做不对题与自己的词汇量有关，认识单词能做对，不认识单词就会做错。事实上，那些认识的单词经常做错，不认识的单词反而能做对。原因是，做不认识单词时，考生会仔细研读词汇题的上下文，力求在上下文中突破。而做认识单词时，忽略上下文的重要性，往往是装模作样的看一下上下文，便匆匆做出抉择。所以，做好词汇题关键在于透彻分析上下文--词汇题的句子以及上下一句话，有时候，个别词汇题也许需要在文章其他段落寻找线索。
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