邓石如派的形成与传承为题目的作文

　　邓石如派的形成与传承

邓石如派的形成与传承为题目的作文

　　Emergence of the Deng Shiru School and Its Successors

　　邓石如派的形成稍晩于浙派。当浙派前期诸家声望渐隆之时，受过何震、梁袠、程邃等人影响的邓石如在印坛别开一派。

　　邓石如 (1743~ 1805年) 原名琰，字石如；后改石如为名，字顽伯，号完白山人、古浣子等，安徽怀宁人。邓氏一生以书、印自奉，性格任侠野逸。邓氏在多年研求唐李阳冰一路玉箸篆的基础上，参以隶书笔法，体态修长，间架端庄，气势朴茂而雄浑。他力倡印从书出的创作理念，印风随之而变。

　　The Deng Shiru school was formed slightly later than the Zhejiang school. When the reputation of the early masters of the Zhejiang school began to wane, Deng Shiru, who had been influenced by He Zhen, Liang Zhi and Cheng Sui set up his own school.

　　Deng Shiru（1743-1805）,originally named Yan, with the style name Shiru, later took Shiru as his name and Wanbo as his epithet. He also had the epithets Wanzi Hermit and Guwanzi. He also born in Huaining, Anhui. Calligraphy and seal engraving were his livelihood all his life, and he had a chivalrous and roaming disposition. On the basis of studying inscriptions engraved on the jade chopsticks of Li Yangbing, a calligrapher of the Tang Dynasty, he used the strokes of Li official script. His inscriptions were slender and sober, with a simple and imposing manner.

　　清，王尔度摹邓石如像

　　Portrait of Deng Shiru by Wang Erdu. Qing Dyanasty

　　“江流有声，断岸千尺”及“我书意造本无法”是邓石如的代表作。邓氏以书入印的特点，在此表现得十分鲜明。邓石如以“刚健婀娜”这一辩证统一的'审美境界作为自己追求的目标，使他的作品中刚与柔、方与圆等关系得到和谐的交融。

　　“ The Singing River Flows, the Banks Soar One Thousand Feet”, and “My Calligraphy Follows no Rules” are Deng Shiru’s representative works, very clearly demonstrating his use of literary quotations in his seals. Deng Shiru’s esthetic aim was the dialectical unity of “sturdiness and grace,” resulting in a harmonious relationship and fusion of steeliness and softness, of squareness and roundness.

　　清，邓石如刻“我书意造本无法”

　　“My Calligraphy Follows no Rules”，engraved by Deng Shiru. Qing Dynasty

　　清，邓石如刻“乱插繁枝向晴昊”

　　“Planting Leafy Twigs on Head in a Fine Day”,

　　engraved by Deng Shiru. Qing Dynasty

　　邓石如子邓传密，字守之，亦长于篆刻，风格传其家法。晩清时期，经过再传弟子吴熙载等人的弘扬，邓派的艺术风格和技法对印坛的渗透力进一步强化。

　　吴熙载(1799~1870年)，原名廷飏，字让之、攘之，别署让翁、晩学居士等，江苏仪征人。吴熙载践行“印从书出”的创作观念，印文更为舒卷自如，翩然多姿。吴熙载子吴棣初，字雪陶，刻印一仍父风。吴咨、王尔度也是邓派的传人。

　　The family tradition and style was inherited by his son Deng Chuanmi, who was also skilled in seal engraving. In the late Qing, the artistic style and cutting technique of the Deng Shiru school penetrated deeper into seal engraving circles

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