英文名著观后感
the devil wears prada:
Everyone knows that Meryl Streep is the high priesteof drama, but she never gets enough credit for her comedy skills. That should change with The Devil Wears Prada, a sinfully funny, deliciously glossy take on the 2003 best seller by Lauren Weisberger, who denies writing it as a poison-pen letter to her former boss, Vogue editor Anna Wintour. The names have been changed, of course, to ward off lawsuits. Stepping up to the plate as imperious fashion editor Miranda Priestly, Streep knocks every laugh out of the park. More remarkably, she humanizes a character who was little more than a bi-tc-h in Manolos on the page.
Streep teams up hilariously with Anne Hathaway as Andy Sachs, the "smart fat girl" (she's a mere size 6) who applies for the job as Miranda's junior assistant at Runway magazine. Andy, a journalism major at Northwestern, had her eye on The New Yorker, but is told that if she can run the gantlet of Miranda for a year, there is no publishing Everest she can't climb. Before you can say "makeover,"Andy is transformed from a gawky giraffe into a swan who can trade up in lovers -- from sweet chef (Adrian Grenier) to literary stud (Simon Baker) -- and from cotton blends to chicest of Valentino, Chanel, Donna Karan, Bill Blass, Galliano and Prada. Guys who know squat about labels can take pleasure in the uberbabes wearing the threads.
Director David Frankel makes expert use of the light touch he brought to HBO's Entourage and Sex and the City. And screenwriter Aline Brosh McKenna leeches out the book's malice in favor of wicked sass. Does the movie bite the fashion hand that feeds it? You bet. But it also pays due respect to the artful details turning the wheels of an industry that only seems frivolous. There's no doubt Andy learns much from watching Miranda at work, even with all the insults and fool's errands. The script tries to paint Miranda into a corner -- the lonely careerist who can't keep a husband or find personal happine-- but Streep won't wallow in the cliches of victimhood. In a party of a movie, her performance is a comic and dramatic tour de force. comic and dramatic tour de force.
Half-Blood Prince:
"Harry Potter and the Half-Blood Prince" — The sixth movie in J.K. Rowling's fantasy series about the young wizard is the franchise's best so far, blending rich drama and easy camaraderie among the actors with the visual spectacle that until now has been the real star.
The hocus-pocus of it all nearly takes a back seat to the story and characters this time, and the film is the better for that, brimming with authentic people and honest interaction — hormonal teens bonding with great humor, heartache that will resonate with anyone who remembers the pangs of first love. The movie escalates the peril for Harry (Daniel Radcliffe) and his best pals, Hermione Granger (Emma Watson) and Ron Weasley (Rupert Grint), while giving the threesome that first collaborated as prepubescent kids their best platform yet to show their maturing acting chops.
Director David Yates, who made the fifth film and is doing the final two, stays true to the Rowling recipe yet infuses it with a freshneand energy that make it seem like a new start, not the stale old chapter six it could have been. Harry's main challenge this time involves an assignment from headmaster Dumbledore (Michael Gambon) to retrieve a critical memory that a new teacher (Jim Broadbent) possesses about the evil Lord Voldemort.
Along with the splendid visuals, the movie offers stirring support from Alan Rickman, Helena Bonham Carter, Maggie Smith, Robbie Coltrane and other co-stars. PG for scary images, some violence, language and mild sensuality. 153 minutes. Three and a half stars out of four.
Deathly Hallows :
With an unparalleled amount of excitement and anticipation building around the release of the seventh and final Harry Potter novel, could Harry Potter and the Deathly Hallows possibly live up to the hype? This question, probably best left to the millions of diehard Harry Potter fans worldwide to decide, would seem to be a resounding "yes." Deathly Hallows features everything readers have come to expect from the Harry Potter series: heart-pounding action, narrow escapes, and plenty of edge-of-your-seat excitement.
While many readers thought the last installment of the series, Harry Potter and the Half-Blood Prince, was a nail-biting read, Deathly Hallows brings tension to a new level. Harry and his friends face death and narrow escapes at nearly every turn. Such critical situations allow the characters to learn a great deal not only about magic, but also about themselves. Past books in the series have often featured one epic battle to close the story, but Deathly Hallow features such adventures throughout, guaranteeing that the action never becomes dull and readers never feel bored despite the 700+ page length.
Leading up the release of Deathly Hallows, fans had a long list of questions they hoped would be answered in the series finale. It is safe to say that J. K. Rowling satisfies most curiosities. However, answering questions was not the only strong point in the Deathly Hallows. Indeed, an intriguing new tale, that of the Legend of the Deathly Hallows, was also woven into the story, alongside the characters' search for the seven Horcruxes, which began at the conclusion of Harry Potter and the Half-Blood Prince.
The most surprising—and welcome—element of the book is the way it enlightens readers on the personal history of two of the series' most pivotal characters: Albus Dumbledore and Severus Snape. Through Rowling's portrayals of the two characters, we see that our assumptions, even if they are built upon six previous books, aren't always correct, and evil, as well as good, can be found inside just about every character. Deathly Hallows serves as a fitting end to one of the world's most popular literary series. Harry Potter is destined to join the ranks of the most beloved fictional characters of all time, and he will live on as future generations continue to discover the series and enjoy it as so many millions already have.
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