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泄密的心优秀读后感想心得感悟
《泄密的心》是爱伦·坡的恐怖小说的代表作，作者注重剖析其中的人物心理，将杀人者的心理变化写得丝丝入扣，将作案过程娓娓道来，但却没有表达作者的丝毫褒贬之意。下面是小编给大家整理的泄密的心读后感，仅供参考。
泄密的心读后感【篇一】
我”和老头住在一起，“我”很爱老头，但是却无法忍受老头的眼睛，特别是那种目光，于是“我”便把老头杀死、肢解，结果老头的那颗心脏泄了密，“我”只好招供。这就是《泄密的心》(TheTell-TaleHeart,1843)的故事情节。情节简单，但意蕴却深远。人类虽然历经千年万年的时间，历经千种万种的形态，其内心潜藏在一切意识最深处的前意识，却是大体相同的。这种前意识，按照荣格的观点，不是个别的，而是普遍的，“具备了所有地方和所有个人皆有的大体相似的内容和行为方式”。以传统的.批评眼光看，我们只能概略地说这是爱伦·坡的又一部恐怖、惊险故事，有的把它归为侦探类，实在过于勉强，因为它连侦探小说的基本要素都不具备。坡在小说中所着力描写的诸种细节读了确实令人不寒而栗，但让读者想得更多的可能还是小说的标题“泄密的心”。这部小说对宿命、神秘特别是“心”和“眼”的描写的确意味深长。
读《泄密的心》，其中有两处反复出现的意象是无法忽略的，一处是激起“我”去谋杀老头的原因：老头的眼睛(eye，这个词重复了十一次);一处是使我得到报复的原因，也就是老头那不死的心(heart，这个词重复了八次)跳声。不管爱伦·坡是有意识还是无意识地描述，这些意象却实在是意味深长并且触目惊心。其实这篇小说的非常之处，就是心跳声的不合常情。首先是老头受到惊吓时的心跳声，二是老头虽死却心跳不止，原文在“那声音”下还加了着重号，显然作者在这里有着特殊的用意。到了作为报复形象出现的心跳声时，作品中充斥的几乎就是这一意象了，光是“声音”(sound)重复了八次，说“越来越大”(louder)就出现了十三次,说恐惧或声音等加剧或增强(increase)就重复了七次。这些意象在段落中顽强地潜伏在一个紧逼一个的节奏中，形成了一种重压。这些反复出现的意象不能不使人抛弃文字的表层含意，而去追寻它的深层意蕴：究竟是什么使“眼睛”成为一种蛊惑呢?又是哪种力量使得报复来得如此迅速和必然?“我”无法承受的是什么?其中有没有回荡着亘古不变的旋律?
关于“鹰眼”的描述确实应引起人的注意。鹰是猛禽，在飞鸟世界中它代表不可一世的力量。原型批评大师弗莱曾对之有如此描述：“动物世界以妖怪和猛兽等意象来描绘。……所有的统治者都和怪兽等同。”据此，我们有理由将鹰眼视为一种象征：它代表了权势。它的邪-恶或者它的强大的力量正是“我”爱它又天然地反对它的真正原因。这种心态是集体的、一般人类心理共有的。再回到故事内容得以展开的结构，“我”不满于一种强权，想扼杀它，但却最终得到了强权的报复。在原型批评理论中，这些貌似蔑视真理的现象却是原型的最直接的表现。这时，《泄密的心》已经不再是一篇恐怖心理小说了。它所表达的是西西弗斯式人类生存的某种困境：世界充满了违情悖理和徒劳无益。正是在对人类这种悲剧状态的关注中，读者获得了对小说的普遍同情——对自身境地的潜意识认识被唤醒了。整篇小说里两个主要人物，“我”和老头应该说是魔幻型意象中替罪羊和暴君的分别对等。“我”不是单纯的受苦受难，暴君也不是完全地强悍有力。当然我们并不是要挖掘出人对命运的无可奈何而后悲天悯人，这也不是原型批评的最终目的，我们对作品进行原型批评，很明显的一个作用是找出了作品的深层结构。在这种找寻中也容易地把握住了人类普遍存在的集体无意识，明确了心灵受到震撼的最初原因。可以说，《泄密的心》在一定程度上泄的是人类的集体经验和深层无意识的大秘密。当然，这部作品能给我们很多启示，我们可以从更多层面对其进行多方诠释，这也是经典作品的真正价值所在。
泄密的心读后感【篇二】
Through the first person narrator, Edgar Allan Poe's "The Tell-Tale Heart" illustrates how man's imagination is capable of being so vivid that it profoundly affects people's lives. The manifestation of the narrator's imagination unconsciously plants seeds in his mind, and those seeds grow into an unmanageable situation for which there is no room for reason and which culminates in murder. The narrator takes care of an old man with whom the relationship is unclear, although the narrator's comment of "For his gold I had no desire" lends itself to the fact that the old man may be a family member whose death would monetarily benefit the narrator. Moreover, the narrator also intimates a caring relationship when he says, "I loved the old man. He had never wronged me. He had never given me insult". The narrator's obsession with the old man's eye culminates in his own undoing as he is engulfed with internal conflict and his own transformation from confidence to guilt.
The fixation on the old man's vulture-like eye forces the narrator to concoct a plan to eliminate the old man. The narrator confesses the sole reason for killing the old man is his eye: "Whenever it fell upon me, my blood ran cold; and so by degrees - very gradually - I made up my mind to rid myself of the eye for ever". The narrator begins his tale of betrayal by trying to convince the reader he is not insane, but the reader quickly surmises the narrator indeed is out of control. The fact that the old man's eye is the only motivation to murder proves the narrator is so mentally unstable that he must search for justification to kill. In his mind, he rationalizes murder with his own unreasonable fear of the eye.
The narrator wrestles with conflicting feelings of responsibility to the old man and feelings of ridding his life of the man's "Evil Eye". Although afflicted with overriding fear and derangement, the narrator still acts with quasi-allegiance toward the old man; however, his kindness may stem more from protecting himself from suspicion of watching the old man every night than from genuine compassion for the old man. The narrator shows his contrariety when he confesses he loves the old man, but he is still too overwhelmed by the pale blue eye to restrain himself from the all-consuming desire to eliminate the eye. His struggle is evident as he waits to kill the old man in his sleep so that he won't have to face the old man when he kills him; but on the other hand, the narrator can't justify the killing unless the vulture eye was open. The narrator is finally able to kill the man because "I saw it with perfect distinctness - all a dull blue, with a hideous veil over it that chilled the very marrow in my bones; but I could see nothing else of the old man's face or person: for I had directed the ray as if by instinct, precisely upon the damned spot".
The mission of the narrator begins with meticulous planning and confidence, but ultimately his guilty conscience creates his downfall. For seven days, the narrator watches the old man while he sleeps and he even "chuckled at the idea" that the old man knows nothing of the narrator's "secret deeds or thoughts". The narrator's comments show his confidence and audacity, even pride, in his plan to kill: "Never before that night had I felt the extent of my own powers - of my sagacity. I could scarcely contain my feelings of triumph". The narrator's assurance in his evil deed continued even when the police came to check on the old man and investigate the loud noises neighbors heard the night before: "I smiled,-for what had I to fear? I bade the gentlemen welcome". However, the narrator's mind is quickly consumed with guilt, which creates his delusion of hearing the old man's heartbeat taunting him from under the flooring. His paranoia makes the heart beat "louder - louder - louder!" and in his state of delirium he confesses to killing the old man in hopes of ridding his life of the menacing heartbeat: "I felt that I must scream or die! - and now .
The narrator sets out to rid his life of the fear he created by obsessing over the man's eye, but once that fear is destroyed, another fear - that of the heartbeat - is created and becomes more overwhelming than the first. In playing mind games with himself - seeing how far he can push himself to triumph over his own insanity - the narrator slips further into a fantasy world. His overriding confidence in killing the man ultimately turns into overriding guilt even as he justifies in his mind the savage killing, chopping up the body and placing it under the floorboards. The narrator's imagination creates his need and plan to destroy the eye, but it then creates the need to save himself from the heartbeat that drives him over the edge.
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