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旅游专业英文导游词:丽江壁画
作为一名旅游从业人员，时常需要用到导游词，导游词具有注重口语化、精简凝练、重点突出的特点。导游词要怎么写呢？以下是小编收集整理的旅游专业英文导游词:丽江壁画，欢迎大家借鉴与参考，希望对大家有所帮助。
旅游专业英文导游词:丽江壁画 1
Ten kilometers (six miles) northwest of Lijiang Old Town, there are several ancient villages, including Baisha, Dayan, Shuhe, Yangxi and Xuesong. There, the invaluable Lijiang Mural is stored, preserved and displayed in 15 venerable temples, such as Juexian, Wande, Guiyi temples and Sanbi Garden. Altogether, the mural used to include more than 200 pieces of fresco. However, hundreds of years of historical vicissitudes have left only 55 pieces in good condition. The most famous frescos are known as Baisha Mural of the Dabaoji (Great Treasure) Palace and the Colored Glaze Temple (Liuli Dian) in the town of Baisha.
Most of the temples were built from the early days of the Ming Dynasty (1368-1644) to the early Qing Dynasty (1644-1911), and the Lijiang Mural was created at the same time, over the course of about 300 hundred years. In Lijiang, it was an era of rapid economic development, mutual acculturation of multinational culture, and the growth of religions. Accordingly, Lijiang Mural was an artistic representation of this cooperation, communication and progress. The authors of these mural paintings had come from different nations, including the local Naxi Dongba painters; the Taoist painter Zhang from the Central Plain; an Lama artist Guchang; Han painters Ma Xiaoxian and Li Zeng; and many other artists who were unknown to the public
The originality and figures of the mural paintings reflect the different religious cultures and artistic forms of Buddhism, Lamaism, Daoism and the Naxi Dongba religion, as developed in a Naxi school. Therefore, Lijiang Mural is quite different from other frescos. Each painting includes at least one hundred portraits, but perspective is used very well, and the close, middle and establishing images are clear. The various lifelike portraits are not only Buddhas but also ordinary people such as bureaucrats, criminals, tourists and executioners. Many of the scenes and subject matters are drawn from daily life-people are shown fishing, riding horses, weaving, dancing and casting iron. The painters used different methods of portrayal within the different elements of the fresco, such as flesh, garments, jewelry, weapons and many other components. The style of these true-life frescos is rural and unconstrained; the colors are strong and have intense contrast but are also unified. The Lijiang Mural fully demonstrates the superb artistic skills, outstanding creativity and rich imaginations of these excellent craftsmen. The vivid and exact figures, flowing lines, well-defined colors and powerful effects of the exquisite details make the Lijiang Mural not only the rare treasure of art, but also forceful proof of national solidarity and an important source of information for research on national religions, arts and history.
旅游专业英文导游词:丽江壁画 2
Welcome to the Lijiang Murals! Im your tour guide today, and Im thrilled to share with you this incredible artistic treasure.
The Lijiang Murals, also known as the Baisha Murals, are located approximately ten kilometers northwest of the Old Town of Lijiang. These invaluable murals are stored, preserved, and displayed in 15 venerable temples, such as JueXian, Wande, Guiyi temples, and Sanbi Garden.
The history of the Lijiang Murals dates back to the early Ming Dynasty (1368-1644) and continued into the early Qing Dynasty (1644-1911), spanning over 300 years. During this time, Lijiang experienced rapid economic development, cultural exchange among various nations, and the growth of religions. As a result, the Lijiang Murals became an artistic representation of this cooperation, communication, and progress.
The authors of these mural paintings came from diverse backgrounds, including local NaXi Dongba painters, Taoist painter Zhang from the Central Plain, a Lama artist Guchang, Han painters Ma XiaoXian and Li Zeng, and many other anonymous artists. Their contributions reflect the diverse religious cultures and artistic forms of Buddhism, Lamaism, Daoism, and the NaXi Dongba religion.
The Lijiang Murals are quite unique, as each painting includes at least one hundred portraits, skillfully rendered using perspective. The various lifelike portraits depict not only Buddhas but also ordinary people such as bureaucrats, criminals, tourists, and executioners. Many of the scenes and subject matters are drawn from daily life, showing people fishing, riding horses, weaving, dancing, and casting iron.
The style of these true-life murals is rural and unconstrained, with strong and intense colors that contrast yet remain unified. The vivid and exact figures, flowing lines, well-defined colors, and powerful effects of the exquisite details make the Lijiang Murals not only a rare treasure of art but also a forceful proof of national solidarity.
The most famous murals are the Baisha Mural of the Dabaoji (Great Treasure) Palace and the Colored Glaze Temple (Liuli Dian) in the town of Baisha. These murals, especially the one with 100 deities centered around a seated Buddha, demonstrate the superb artistic skills, outstanding creativity, and rich imaginations of the craftsmen.
In addition to their artistic value, the Lijiang Murals are also an important source of information for research on national religions, arts, and history. They provide a glimpse into the daily lives and cultural practices of the people during the Ming and Qing dynasties.
As we conclude our tour of the Lijiang Murals, I hope you have enjoyed learning about their history, artistic value, and cultural significance. Thank you for joining me, and I wish you a memorable experience in Lijiang!
旅游专业英文导游词:丽江壁画 3
Hello everyone, welcome to Lijiang, a city rich in history and culture. Today, I will be your guide as we explore the invaluable Lijiang Murals.
The Lijiang Murals are located ten kilometers northwest of the old town of Lijiang. Here, in ancient villages such as Baisha, Dayan, Shuhe, Yangxi, and Xuesong, these murals are stored, preserved, and displayed in 15 venerable temples, including Juexian Temple, Wande Temple, Guiyi Temple, and Sanbi Garden.
The Lijiang Murals were created over a span of 300 years, from the early Ming Dynasty to the early Qing Dynasty. During this time, Lijiang was experiencing rapid economic development, cultural exchange among multiple nations, and the growth of various religions. The murals are thus an artistic representation of this era of cooperation, communication, and progress.
The authors of these mural paintings came from diverse backgrounds, including local Naxi Dongba painters, Taoist painter Zhang from the Central Plain, Lama artist Guchang, Han painters Ma Xiaoxian and Li Zeng, and many other unknown artists. The originality and figures of the mural paintings reflect the different religious cultures and artistic forms of Buddhism, Lamaism, Daoism, and the Naxi Dongba religion.
The Lijiang Murals are quite different from other frescos. Each painting includes at least one hundred portraits, and perspective is used very well, making the close, middle, and establishing images clear. The various lifelike portraits depict not only Buddhas but also ordinary people such as bureaucrats, criminals, tourists, and executioners. Many of the scenes and subject matters are drawn from daily life, showing people fishing, riding horses, weaving, dancing, and casting iron.
The style of these true-life frescos is rural and unconstrained, with strong colors that have intense contrast but are also unified. The Lijiang Murals fully demonstrate the superb artistic skills, outstanding creativity, and rich imaginations of these excellent craftsmen. The vivid and exact figures, flowing lines, well-defined colors, and powerful effects of the exquisite details make the Lijiang Murals not only a rare treasure of art but also forceful proof of national solidarity.
Among the murals, the most famous ones are the Baisha Mural of the Dabaoji Palace and the Colored Glaze Temple in Baisha Town. These murals are considered the center of the Lijiang Murals and are well-preserved.
As we conclude our visit to the Lijiang Murals, I hope you have gained a deeper understanding and appreciation of this unique cultural heritage. Thank you for joining me on this journey, and I wish you a pleasant stay in Lijiang.
旅游专业英文导游词:丽江壁画 4
Hello everyone, welcome to Lijiang Murals! I am your tour guide today, and Im delighted to share with you the fascinating history and artistry of these incredible works.
Lijiang Murals, also known as Baisha Murals, are located approximately ten kilometers northwest of Lijiang Old Town. They are stored, preserved, and displayed in various venerable temples, including JueXian Temple, Wande Temple, Guiyi Temple, and Sanbi Garden. These murals are a treasure trove of art and history, representing the cultural fusion and artistic achievements of the Ming and Qing dynasties.
The murals were created over a span of about 300 years, during a time of rapid economic development and mutual acculturation of multinational cultures in Lijiang. The authors of these mural paintings came from diverse backgrounds, including local NaXi Dongba painters, Taoist painters from the Central Plain, Lama artists, Han painters, and many others.
The most famous murals are located in the Dabaoji (Great Treasure) Palace and the Colored Glaze Temple (Liuli Dian) in Baisha Town. These murals are not only artistic representations of Buddhist, Lamaist, Daoist, and NaXi Dongba religious beliefs, but they also reflect the daily lives of people during that time. The paintings depict scenes such as fishing, riding horses, weaving, dancing, and casting iron, as well as portraits of Buddhas, bureaucrats, criminals, tourists, and executioners.
The style of these murals is rural and unconstrained, with strong and intense colors that are also unified. The artists used different methods of portrayal for different elements of the fresco, such as flesh, garments, jewelry, and weapons. The result is a collection of lifelike portraits that are both vivid and exact.
One of the remarkable features of Lijiang Murals is their realism. The painters incorporated elements of daily life into their religious themes, creating a unique and compelling narrative. This realism, combined with the superb artistic skills and outstanding creativity of the craftsmen, makes Lijiang Murals not only a rare treasure of art but also a forceful proof of national solidarity.
As we walk through these temples and admire the murals, I hope you can appreciate the intricate details, flowing lines, and powerful effects of the paintings. They are not only a testament to the artistic achievements of the past but also an important source of information for research on national religions, arts, and history.
Thank you for joining me on this journey through Lijiang Murals. I hope you have enjoyed learning about these incredible works of art and have gained a deeper understanding of the rich cultural heritage of Lijiang.
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